Friday, April 2, 2010

Mayor of Casterbridge Question 9

The town is, on face value, welcoming and friendly to newcomers. Obviously the area enjoys many social gatherings and finds them a pleasant escape from the usual tempest of everyday life. In essence, sociality is everything to these people. They tend to lean towards the pleasant overtones of inclusiveness rather than the harboring shade of elusiveness. The party scene for example showed how even though Henchard's party was ruined, the villagers, still in the mood for fun, quickly proceeded over to Farfrae's tent, so to continue the festivities. On a more simple level, houses, gathering spots and the like simply insinuate that it is at least a moderately populated town. The three hotels show that it is also a place where people stop to rest, or maybe even to visit due to its so easily implicated social life. If one built three inns in a town obviously there was a demand for more. In this respect, the hotels show a need for housing. In essence, the town is growing and the need for more inns constitutes a need for more permanent residence in the future. Perhaps these hints from the author even foreshadow some future events to come, despite how awfully analytical one may be to think that, it is in analysis that we find the truth. So, in a sense, places of dwelling represent a changing future for the town, as they would for any place that had the same attributes.

Mayor of Casterbridge Question 6

The question brings to mind a quote by Thomas Jefferson: "Wisdom I know is social. She seeks her fellows." In this same respect, Hardy employs a social gathering to reveal to the reader Casterbridge's general opinion towards mayor Michael Henchard. At the gathering, the villagers, although they respect him, are quite irate at the fact that there is no wheat in the town. In this sense the social gathering is used as a place to complain and address concern to the mayor. Henchard's disgruntled disposition, however, does not provide much empathy to the citizens, as he quickly dismisses the matter due to lack of an answer to their urgent questions. The respect comes from the people's knowledge of Henchard's vow to temperance. They believe him basically a good man for this, and therefore do not completely scorn of his foolish buying of "bad bread". He is also a quite powerful and well known man, as stated by a commoner: "Why, my good maid, he's the powerfullest member of the Town Council, and quite a principal man in the country round besides." (Page 42). With such a position comes a degree of automatic authority and respect, as shown in the novel. As always in a social gathering, there is a certain level of secrecy pertaining to something, in this case the reason why Henchard made the vow in the first place, though most people do not question it do to the association with God. Despite this, Henchard still feels nervous and ashamed when any mention of the vow comes up. Such feelings cause countenances of bitterness and exclusiveness, which is possibly the reason for Henchard's still negative constitution. Overall, Hardy employs social gatherings to give the reader further insight into Henchard's complicated psyche, and therefore broadening the reader's overall grasp of the novel's depth.

Thursday, January 14, 2010

A Journey Through the Psyche


One of my most treasured and stimulating intellectual journeys was when I read Michio Kaku's book "Hyperspace". The book is a beautiful exploration of critical subjects such as the existence of other spatial dimensions, parallel universes, and the beginning of the universe (which Kaku theorizes could have been a tear in the space-time of some other universe). When I first looked at the book, I flipped to a section describing a theoretical story. It talked about a man who wanted to build a house out of an unfolded tesseract (a four dimensional cube). The house would like three cubes stacked on top of each other, with another layer of cubes protruding from the sides, and then a fifth cube by itself at the top. A man and his wife did not believe he could do it. Nevertheless, he proceeded to get it built, and actually succeeded. Now keep in mind he did not build something in four dimensions; it is simply a three dimensional outline of a four dimensional hypercube. Tragically, before showing the masterpiece to the skeptical couple, an earthquake hit and the house collapsed. When the couple and the man came to look at it, there was mysteriously one cube left. The trio entered inside cautiously, only to be shocked beyond their minds’ comprehension. What they saw was incredible. They could see a series of rooms go on for seeming infinity in front of them. Frantically, they tried to leave the house, but when they went out the entrance it only led to another room. They kept going through doors but they only led to other rooms! Eventually, they found a window. Upon looking outside they saw they were kilometers above the empire state building. Looking through another window, they were above the ocean. Through another window they saw infinite darkness. Simply nothing. Eventually, they found a window with a reasonable area to step into, and basically escaped through a portal in space. What had happened was when the earthquake occurred, the three dimensional outline collapsed back into a four dimensional hypercube! Reading this intrigued me. I wondered, and still wonder today, would it be possible to recreate such a wonderfully coincidental tear in the universe? Hopefully time will tell.

372 words.

And for anyone who is interested, here is a video of a three dimensional outline folding into a four dimensional cube.

http://www.math.union.edu/~dpvc/math/4D/folding/HCube-Folding/HCube-Folding.mpg